One is already implied in Zoots' post: correctling an error is usually much more complex with music than with text, so any error requires much more work to correct (in some programs more and in other less, but more than for text anyway).Īnother is that finding errors is more difficult and proof-reading less straightforward than with text: catching a missing note is easy (and could be automated, to some extent) catching a wrong note or a missing (or wrong) slur or articulation or fingering or dynamics (assuming the OMR program can cope with them!) is much more difficult and there is no way to automate it, so the probability of leaving behind errors is much higher than with text. However, it has some additional complications with respect to OCR which make it hardly a viable solution. OMR (optical music recognition) may seems a panacea to digitalize music. My biggest problem is finding my place again on the original after looking at the monitor. I find the Musescore UI to be pretty good for entering notes quickly manually even though I haven't done a lot. Having seen a power-user manually enter a score I can also see where that may be quite true in many cases except where the OCR did a very good job. The scanning feature that comes with Finale is called Smartscore Lite and it is an old version iwth serious limitations so I would certainly believe that. I know there are a lot of power-users on the Finale Forum that say they can enter a score faster manually compared to scanning and correcting. And since there is no redundancy as there is in written words you can't just run it through a "spell-check" type process and correct it further. Even a few generations of a copy of a copy is enough to degrade the accuracy and if it is handwritten then don't even bother scanning.Ī problem with music scanning is that there are numerous individual elements to properly recognize so even a high success rate can still leave a number of things to correct. The secret to success for any good music OCR seems to be the quality of the original being scanned. I should mention most of my work is done with single instrument parts not full scores. but some of that may just be because Smartscore is the devil I know better. I tried correcting a scan in Finale a couple of times and that was a nightmare. IMO, Smartscore has a great UI for correcting scan errors. I think the scanning engine is the same in the cheaper versions which are limited to the number of staves and missing some of the more exotic score organization features but they still cost money! Got into Smarscore via a circuitous historical path and over the years upgraded to the Pro version which is quite expensive but on the whole not a bad program. The current version is a few years old and there have been no changes although a Smartscore free reader program has been introduced. Smartscore unfortunately doesn't seem to have a lot of development going on. Features included in product.I haven't used Sharpeye but it does indeed get good reviews. Once installed, full versions automatically replace SmartScore Lite when "Scan" is invoked in Finale/PrintMusic. To order the half-price upgrade, access the upgrade link from inside SmartScore Lite.įull SmartScore versions include 1-button score conversion to Finale. Owners of Finale and PrintMusic are eligible for a half-price upgrade to the full version of SmartScore Pro or Songbook edition. SmartScore Lite (included in Finale and PrintMusic) has a limited feature set.
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